Filming · Bucketlist Tours

Why I Use the Equipment I Use

One camera, one lens, and one number that moves.

I have to admit I have no way to count dinoflagellates the way scientists do. I do not have the equipment for it, and I will not publish a number I cannot measure.

What I have is a fixed camera, my eyes and my own body. I have used all three to gauge the bay the same way for years.

The sensor

Working with marine life filmmakers taught me what this subject demands. I shoot on a camera with a 12.1-megapixel, full-frame, back-illuminated Exmor R CMOS sensor.

Twelve megapixels sounds small. That is the point. Fewer, larger pixels on a full-frame sensor each gather more light, and light is the only thing in short supply out there.

The lens

The lens matters as much as the sensor. I use a SIRUI Night Walker 16mm S35 cine lens at T1.2, wide open. It was the largest usable aperture I could get.

It is a mechanical lens, so the aperture cannot drift between shots.

Focus

Manual, always. Autofocus never finds its target in that darkness, and without focus there is nothing to film. I set it by hand and it stays set.

What stays locked

  • Shutter: 1/30
  • Frame rate: twenty-four frames per second
  • Aperture: T1.2
  • Focus: fixed by hand

What moves

Only the ISO. And because it is the only thing that moves, it tells me something.

NightISO reading
Peak, La Pargueraabout 80,000
Peak, Mosquito Bay, Viequesabout 80,000
Less bright nights, Viequesup to 140,000
Most nights, La Parguera160,000 to 200,000
Hardest conditions, La Pargueraabout 240,000

What the number does and does not mean

A camera is not a microscope. ISO does not tell me how many cells are in a litre of water, and it does not replace scientific sampling.

It answers a smaller question: under these conditions, how much amplification did my camera need to record the light?

Same instrument, same settings, both bays. That is the reason I am comfortable saying that at its peak, La Parguera practically matches Vieques.

Why the usual advice fails

Most advice online assumes a phone or a consumer camera and a long exposure. A long exposure blurs anything that moves, and here everything moves: the water, the swimmer, the boat.

Why I made the investment

It is a large investment for an operator of my size. I put it at the service of the one place where I feel time stops.

It is small next to what the bay gives me back.